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BAg-5 Brand New. Results matching fewer words. Last one. Harris Co. Waterman Free shipping. Amounts shown in italicized text are for items listed in currency other than Canadian dollars and are approximate conversions to Canadian dollars based upon Bloomberg's conversion rates.

For more recent exchange rates, please use the Universal Currency Converter. This page was last updated: Jan Number of bids and bid amounts may be slightly out of date. See each listing for international shipping options and costs. Don Bolles. Dream Hits II. Dinah Cancer. Bad Love. Surf Bat. School's Out. Spotify Amazon. Violent World Mikey Borens.

Slice O' Life Don Bolles. Not surprisingly coming from D. But that temptation certainly exists with the release of this album. The shorter songs are rarely exciting, and the three tracks on the B-side are sheer torture.

This slow, punchy, lurching rhythmic music, with the vocals mixed way clear, sounds like it should be from Texas or Louisiana. Most tracks here are in the mid- to fast-paced punk style, and they have strong political lyrics.

Good for a start. A rough garage-quality tape of basic melodic thrash with fairly intelligent lyrics. Given time and decent production, these guys will be good. If they got wilder, more heads would turn. Wild, uncontrolled quickness charges into a screaming fracas of blaring guitars and brawling drum snacks, stinging sharply with missiling vocals and catapulting this nitro-packed projectile head-on to chaotic dilapidation.

A good first demo. Some very original-sounding noises can be found here, with clean, snappy production to boot. Great musicianship, with no loss of edge, musically or lyrically. Highly recommended. An outrageous display of burning speed and mind-boggling turbulence, combined with chaotic chops of lyrical expression. The songs are crude and hard-hitting, but lack a certain posture to keep them standing straight. The music is high-speed and the vocals are slow, which makes it all the more confusing.

On the other hand, E. At first, this new long-player from FALLOUT all seemed to have that familiar anarcho-Britpunk style, but after more listenings, the variations and intensity come through. Well thought-out and executed. A lot of their classic tracks are on here, sounding as good and raw and raucous as ever. On this bizarre and surprising double album, FLUX alternates between strangely mixed, highly inflammatory hardcore attacks and bursts of industrial noise.

Most of the material here is rather unpleasant listening, though the vitriolic lyrics and some of the studio effects are remarkably compelling.

This is a magnificent album, one of the best thus far in First of all, the extraordinarily powerful sound whacks you across the face, then you realize how superb the band is and how well-crafted the songs are. Basically, this is a one-man production with aspects of modern punk and lost of art-damage on top. Lyrically, the topics are interesting and, at times, more than a little confused.

This EP is filled with all sorts of hooks and singalong choruses, but it retains their hard-edged punky guitar assault and serious lyrical approach. Some pretty melodic punk and thrash with gruff vocals and tight musicianship emerges from this tape.

Get it. Intelligent and politically astute, if a trifle inconsistent musically. Still, the guitarist wails, and this nasty-sounding record has more than enough ass-kickers to warrant your attention.

Dave Edmunds got his hands on these guys and upped the ante plenty. By that, I refer to the draping of soccer-style sing-alongs over a loud mid-tempo punk instrumental base. More great stuff from Sweden. The magnificent title song has a roaring wall of guitars and a staggered join-in chorus; the other three cuts are almost up to that exceptional standard. A mandatory purchase for fans of thrash.

The guitars are primitive, the production is raw, the lyrics are spot-on, and there are some irresistible sing-along segments on the A-side. The two songs on the flip unfortunately swerve toward genericness with that same combination of influences. Merely adequate. OK-sounding mid-tempo skunk from Germany, with an occasional speedy song.

The main problems here are a serious lack of musical imagination and tinny production; the main advantages are a shrill guitar and sound lyrics. Overly typical.

Metal Box or Second Edition. World of Rubber expanded reissue. Return of the Giant Slits Japanese reissue. The Smiths North American version. Meat Is Murder North American version. Shut Up and Bleed. Cubist Blues. The Youth Are Getting Restless. Six Songs with Mike Singing. Fresh Fruit for Rotting Vegetables. Out of Vogue — The Early Material.

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A Light in the Darkness. The Will Never Die compilation. A Comprehensive Guide to Moderne Rebellion. The Plot Sickens: Enslavement Redefined. Reconstruction of Once Shattered States of Mind. Violent World: A Tribute to the Misfits. No More Dreams of Happy Endings. Construction of a New Action! In Pursuit of Shashamane Land. Enter into His Gates with Praise. Rockers Time Now.

Heart of the Congos remastered reissue. Patterns of War. The Pounding System Ambience in Dub. Forward Jah Jah Children. Conquering Lion. Hunter Man showcase compilation. Live at the Lyceum. Rastaman Vibration. War in a Babylon. Upsetters 14 Dub: Blackboard Jungle. Roots with Quality. Scratch on the Wire. Memories of the Future. The Best of N. Apocalypse 91 … The Enemy Strikes Black. Fly Girls! Volume 1. Standing on the Verge of Getting It On.

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Hoodoo Man Blues. Merry Christmas, Baby Hollywood Records. The Mississippi Blues The Mississippi Blues No. Bhaktivedanta Swami Prabhupada. The Holy Names: Spiritual Gems. Golden Collection: Sizzling Hits. Live at Royal Albert Hall, London. Legacy: 16thth Century Music from India. Raga Jaijaiwanti full-length version on CD.

Ravi Shankar et Yehudi Menuhin. Ethnic Minority Music of Northwest Xinjiang. Folk Music of India: Uttar Pradesh. Folk Songs of the Punjab: Volume Five. Gamelan from Central Java.

Gamelan of the Walking Warriors. Mujhe Jeene Do Bollywood soundtrack. Music on the Desert Road. In the Realm of Solitude. Songs from the Victorious City. Instrumental Modal Pop of s Egypt. Arabic Songs from North Africa. Apocalypse Across the Sky.



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